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From Fu Manchu to Kung Fu Panda：Images of China in American Film血拼有理

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內容簡介: “From Fu Manchu to Kung Fu Panda chronicles the struggle within Hollywood film to come to grips with American ambivalence toward China as a nation against the backdrop of its current economic and geopolitical ascendancy on the world stage. Reaching back to early film portrayals of Chinatown, Christian missionaries, warlords, and perverse villains bent on world domination, Greene moves from the ‘yellow peril’ to the ‘red menace’ as she examines WWII and Cold War cinema. She also explores the range of film fantasies circulating today, from films about Tibet to Chinese American independent features and the global popularity of kung fu cartoons. This accessible book allows these films to speak to the post 9-11/Occupy Wall Street generation and makes a welcome contribution to debates about Hollywood Orientalism and transnational Chinese film connections.”—Gina Marchetti, author of The Chinese Diaspora on American Screens: Race, Sex, and Cinema
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“A significant work of filmography, Naomi Greene’s book explores the exotic, at times menacing, but always fantastic images of China flickering on the silver screen of the American imagination. The author writes lucidly, jargon-free, and with the sure-footedness of a seasoned scholar.”—Yunte Huang, author of Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History

博客來網路書局>博客來書店Throughout the twentieth century, American filmmakers have embraced cinematic representations of China.? Beginning with D.W. Griffith’s silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China’s changing role in the American imagination. Taking viewers into zones that frequently resist logical expression or more orthodox historical investigation, the films suggest the welter of intense and conflicting impulses that have surrounded China. They make clear that China has often served as the very embodiment of “otherness”—a kind of yardstick or cloudy mirror of America itself. It is a mirror that reflects not only how Americans see the racial “other” but also a larger landscape of racial, sexual, and political perceptions that touch on the ways in which the nation envisions itself and its role in the world.

In the United States, the exceptional emotional charge that imbues images of China has tended to swing violently from positive to negative and back again: China has been loved and—as is generally the case today—feared. Using film to trace these dramatic fluctuations, author Naomi Greene relates them to the larger arc of historical and political change. Suggesting that filmic images both reflect and fuel broader social and cultural impulses, she argues that they reveal a constant tension or dialectic between the “self” and the “other.”? Significantly, with the important exception of films made by Chinese or Chinese American directors, the Chinese other is almost invariably portrayed in terms of the American self. Placed in a broader context, this ethnocentrism is related both to an ever-present sense of American exceptionalism and to a Manichean world view that perceives other countries as friends or enemies
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  作者： Naomi Greene    新功能介紹
• 出版社：香港大學出版社    新功能介紹
• 出版日期：2014/06/30
• 語言：英文

From Fu Manchu to Kung Fu Panda：Images of China in American Film血拼有理

內容來自YAHOO新聞

大陸成功發射2顆北斗導航衛星

（法新社北京26日電） 大陸當局25日晚間8時29分在西昌衛星發射中心，利用「長征三號乙/遠征一號」運載火箭成功將2顆新一代北斗導航衛星發射升空，經約3.5小時飛行後，將2顆衛星準確送入預定軌道。

新華社報導，此次發射圓滿成功，標誌著北斗衛星導航系統向全球覆蓋的建設目標邁出堅實一步。

報導說，此次發射的2顆衛星，均為地球中圓軌道衛星，也是中國大陸發射的第18、19顆北斗導航衛星。衛星進入軌道後，將與先期發射的第17顆北斗導航衛星共同開展新型導航信號、星間鏈路等試驗驗證工作，並適時入網提供服務。

新聞來源https://tw.news.yahoo.com/大陸成功發射2顆北斗導航衛星-002005948.html

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From Fu Manchu to Kung Fu Panda：Images of China in American Film血拼有理