Making Icons:Repetition and the Female Image in Japanese Cinema, 1945–1964那裡買

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內容簡介: 博客來書店 One distinctive feature of post-war Japanese cinema is the frequent recurrence of imagistic and narrative tropes and formulaic characterizations in female representations. These repetitions are important, Jennifer Coates asserts, because sentiments and behaviours forbidden during the war and post-war social and political changes were often articulated by or through the female image. Moving across major character types, from mothers to daughters, and schoolteachers to streetwalkers, Making Icons studies the role of the media in shaping the attitudes of the general public. Japanese cinema after the defeat is shown to be an important ground where social experiences were explored, reworked, and eventually accepted or rejected by the audience emotionally invested in these repetitive materials.

An examination of 600 films produced and distributed between 1945 and 1964, as well as numerous Japanese-language sources, forms the basis of this rigorous study. Making Icons draws on an art-historical iconographic analysis to explain how viewers derive meanings from images during this peak period of film production and attendance in Japan.

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變身黑王子

嫩妻出牆中 PartI 老公比三家

嫩妻出牆中 PartII 黑心級飯票

美人庶命 卷三 庶女掌家業

盛世醫女 卷一 孤女技不凡

冷王的孽妃2:驚天大騙局(贈Q版封面明信片)

絕色神偷1:天降「神」兵

誓不為后1:一「咬」定情!

  • 出版社:香港大學出版社    新功能介紹
  • 出版日期:2016/12/16
  • 語言:英文

Making Icons:Repetition and the Female Image in Japanese Cinema, 1945–1964那裡買

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新聞來源https://tw.news.yahoo.com/大陸央行-避免系統性區域性金融風險-120700213.html

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Making Icons:Repetition and the Female Image in Japanese Cinema, 1945–1964那裡買

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