Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood特惠價心得

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內容簡介: 博客來書店 From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema? traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point—Shanghai in the Chinese case—she argues for a multilocal process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through transregional and trans-national interactions that also produced a vision of Chinese cinema.

Among the book's highlights are a rereading of The Goddess—one of the best-known silent Chinese films in the West—from the perspective of its wartime Mandarin-Cantonese remake; the excavation of a hybrid genre (the Western costume Cantonese opera film) inspired by Hollywood’s fantasy films of the 1930s and produced in Hong Kong well into the mid-twentieth century; and a rumination on Hollywood’s remake of Hong Kong's Infernal Affairs and the wholesale incorporation of 'Chinese elements' in Kung Fu Panda 2.

博客來 Positing a structural analogy between the utopic vision, the national cinema, and the location-specific collective subject position, the author traces their shared urge to infinitesimally approach, but never fully and finitely reach, a projected goal. This energy precipitates the ongoing processes of cross-Pacific film remaking, which constitute a crucial site for imagining and enacting (without absolving) issues of national and regional border politics. These issues unfold in relation to global formations such as colonialism, Cold War ideology, and postcolonial, postsocialist globalization. As such, Remaking Chinese Cinema contributes to the ongoing debate on (trans-)national cinema from the unique perspective of century-long border-crossing film remaking.
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  • 出版社:香港大學出版社    新功能介紹
  • 出版日期:2013/11/01
  • 語言:英文

Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood特惠價心得

內容來自YAHOO新聞

大陸古惑仔街頭火併 黑頭車狠撞飛人

香港電影古惑仔的情節在大陸河南街頭真實上演,19號有兩派人馬大火拼,其中一方還把轎車當戰車,眾目睽睽之下,直接開車撞飛一名男子,一場血洗街頭的鬥毆,也嚇壞附近老百姓。

大陸河南南陽街頭,19號上午相當不平靜,數十名穿黑衣和白衣的人馬不斷叫囂,還扭打成一團,其中一派人馬還不斷按汽車喇叭聲助陣,混亂當中,右上方這台黑頭車,像是抓獵物一樣,猛追一名男子。

開黑頭車暴徒把人當保齡球一樣,狠狠撞飛過、輾過,他還繼續倒車,加足馬力往前追另一群人,另外,兩台黑頭車也在路上亂竄,見人就撞。閃過一劫的男子逮到反擊機會,手拿木棍猛敲黑頭車,暴力血腥的場景嚇哭了目擊小孩,很多住附近的圍觀老百姓看得也很傻眼,有如香港電影古惑仔的情節,怎麼在自門口上演。

現場大約鬧了20多分鐘,有大陸網友爆料,看到穿制服的公安只有在一旁圍觀、錄影蒐證,完全不敢出手處理,至於這起幫派鬥毆事件,疑似因為高利貸金額談不攏,兩派人馬撕破臉大火拼,打得你死我活,最後都雙雙掛彩,誰也沒撈倒好處。
新聞相關影音

新聞來源https://tw.news.yahoo.com/大陸古惑仔街頭火併-黑頭車狠撞飛-042427241.html

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Remaking Chinese Cinema:Through the Prism of Shanghai, Hong Kong, and Hollywood特惠價心得

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